norm de plume (kolour ltd, delusions of grandeur, sideways recordings, plumage) debuts on black riot serving up four deep disco bombs in his signature style.

if you like the frittes you will certainly love the bigges. for this initial imprint release you will be discovering the corpulent and charismatic mysterious duo of bigges dj’s. four jams aimed at that silja line dance floor where pugh rogefeldt and tommy körberg had their infamous parties. forget all about your everyday troubles with ”in around”. do you recycling to ”turnin me on”. do the hustle to ”love 4 sale” and don’t forget ”humala” while you are standing in line to systembolaget. this carb-exploded release will most likely urge you to buy that second dip for your mashed potatoes (or mosbricka). so fatten up and get down with the sauciest jams since the skrovmål.

steve moore (zombi) returns with another hypnotizing new score for the acclaimed action/horror film mayhem, starring steven yeun (the walking dead, okja). a veritable portrait of shock and dread across seventy-plus minutes of analog synth tension, steve moore methodically crafts pulsating rhythms and penetrating arpeggios that constrict the listener into a deep sense of aural anxiety. with four soundtracks under his belt, steve moore is quickly becoming one of the most sought out synth composers in the horror realm and mayhem is the ultimate demonstration of his unquestionable mastery of the style.
double vinyl in gatefold sleeve with download code included.

this is the first release out on parabel s v/a series called omniform. a four tracker with contributions from three artists with previous releases on the label, nima khak, patrick siech and petter b as well as a new face on the label, benjamin mull. deep, moody and trippy techno, well assembled in a nice package.

the nassau sessions were recorded in nassau bahamas in march of 2013 using zero analog equipment. this debut 7inch features four sedated, rum-fueled dubs by double pelican man. the sounds chosen are familiar to the dub reggae lexicon. deep sub bass, guitar chords, synth bleeps and clacking percussion. all drenched in echo and reverb, each ingredient added with careful consideration to the mix. the rhythms tumble and sway confidently. grooves are proudly extended, while the occasional overdub effect gives each track a paradoxically haunting undertone

after his latest releases on madhouse records, no fit state & truesoul - kevin over made four raw & authentic cuts for our next roughltd008. enjoy!

xxx004 is a compilation that will take you on a trip full of emotions. we carefully selected nine different tracks by nine different artists released on two different vinyls, suitable for all type of situations. part one is dancefloor ready with four tracks produced by artists from all over europe. the cover is designed by artofsomething, a well known artist in amsterdam nightlife. his artwork fits perfectly with the infinite nature of this release. watch the dance floor while playing them out loud.

> it felt like a long wait for us, but finally we can present the first artist on our label xxx, jack pattern<. with great honor we introduce to you this collective consists of three producers who live and breath deep in the heart of switzerland. they delivered four diverse and atmospheric stellar dance floor tracks with serious hints to the late 80s. this first vinyl only release on xxx, will be accompanied with custom made artwork by patrick van vliet. patrick s work has evolved from pop surrealistic, psychedelic imagery to a dutch social realism. he incorporates social annoyances and public degeneration from day to day life in his images. these images seem familiar but alienate. alienation by disrupting the familiar with uncanny elements and deviant colors. a perfect mix for this release. xxx is a new label that combines music, art and club nights curated by shmlss. every artist they invite has the freedom to fill in the x.

after his joint ep with sascha sibler and his fabulous contribution for the ten years anniversary compilation of the label, daniel bortz returns to permanent vacation with his first solo ep since the infamous bella avgvsta trilogy. four tracks that are hard to pigeonhole and show the great variety of daniel bortzs production skills: you will find euphoric techno, hard hitting dub, cinematic breakbeats and heart warming electronica, all dancing harmonically in a giant echo chamber.

second release of nathan melja on his own imprint dream real, this is not a techno ep, this is not a bass ep, this is simply a music record. four tracks going from ambient to club music to a weird and slowed down rap by himself on the eponymous title raindrops enjoy and much love to y all.

contemporary italo-disco and foggy rave culture mark margots first 12inch on life and death, amore a bordo pista - a welcomed surprise. machines breathe on a1, where throbbing synth-bass meets timeless vocoder, as premiered on dj tennis essential mix debut. the afterparty and warehouse meld on the flip, a mind-bending time-warp - somewhere between panic and introspection. technicolour signee, dauwd, aces his re-depicton of the title track, hinting at golden-era chain reaction, while kiwi slows down salsce, retaining all of its drive, adding further cosmic brushstrokes. four weapons of the mind, a trippy affair.

excellent four track house vinyl compilation, nice early reactions:
* raresh: thanks a lot !,
* laurent garnier: very good 4 tracker pure quality music!,
* marc schneider: love all 4 tracks,
* yotam avni: great job you guys, always keeping it classy !,
* peter kruder : amir alexander and moody waters feat. d-ham are great. will play them. thanks.

wonderwheel is happy to welcome in montreal based producer & don dada poirier for his first release on the label, the be alright ep. moving away from the traditional dancehall, dub and soca sounds he s become known for, poirier delivers a 4 track of afro-house influenced dancefloor firestarters. sowia heads to south east africa with it s floating guitar hooks, big bassline, and vocals in portugese from canadian-moçambican singer samito. ginobili goes into deeper territory with four to the floor drums, heavily chopped percussion, and a hypnotizing distorted mbira line, while camera continues the tropical vibe with a nod to semba with its driving guitar lines, staccato synth lines and thumping drums. antilles trax rounds it out as the extended instrumental version of sowia

nice price deal !!! myn ist the next step for the enigmatic carrying ghosts into the world of feel raw. four faraway cutz with a trippy preference.

long term friends and artistic collaborators detroit’s filthiest (aka dj nasty) and go nuclear bring their next two electro releases to bass agenda simultaneously. detroit’s filthiest assaults hard with four ferocious dance floor destroyers, showing off both his lifelong passion for electro and his ability to approach production differently from the majority - blending twisted detroit rave hooks with a dose of infectious machine funk. new zealand’s go nuclear return after their very well received techno world debut on bass agenda recordings. this record, their machine learning ep, stays faithful to their love of the old school electro sounds of detroit with 3 tracks of dance floor futuristic funk. the two artists meet here too, with detroit’s filthiest remixing the title track in his usual no-nonsense style.

stunning minimal four track vinyl

sbire begins. the newly founded label is curated by swiss artists isolated lines, known for his edgy and razor sharp productions (on tommy four seven s 47, among others), and gaspard de la montagne, who has been perfecting his sculptural and curiously optimistic vision of techno through his eps on creaked. sbr001 is a well-rounded compilation from their inner circle spanning from grime over raw house to techno.

copenhagens echocord colour returns this mid november with brendom moellers magic city ep, featuring four originals from the new york based artist. brendon moeller has long been a purveyor of authentic dub-infused techno since stepping onto the scene via his 2006 sweetspot / humpback ep via echocord and has since gone on to release on reputable imprints such as third ear, kimochi sound, delsin’s ann aimee, mule musiq and of course his very own steadfast. here though moeller makes a welcome return to where it all began with some fresh material for echocords colour sub- label. caravan takes the lead on the release and in typical brendon moeller fashion were treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. magic city’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘magic city in dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. lastly,departure closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition

just this broken promises various artists serie aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. melancolic vibes, deep ambient athmospheres. the ep is composed by four tracks, starting with an hunter/game intro instrumental track distance is a crescendo introducing the club scenario. the second track digging into a vibrant groove from architectural. his first appearence on the label.electric soul is a chimical mix between powerful percussions and a stunning synthesizer sequence. running thru a just this classic anterial from pisetzky, clear sound identity from the milan crew, ending with a melodic flow from town new talent altman

collector is the solo project of jason campbell who resides in newcastle, australia. forced extraction is his first release for beat concern following an lp on the melbourne-based drawing heat, and tapes for seminal labels, night people and clan destine records. campbell has honed his unique take on experimental techno over the last few years by building compositions with all analogue hardware and modular synthesis. forced extraction sees collector at his most incisive, carving out four pummelling tracks across the 12inch. piercing feedback, foreboding synth movements and bass drones are anchored by rigid drum programming with an attention to heavy industrial rhythms. an exciting peek into the coal-face of underground australian electronics

here is the first in an incredible series of dark and wonderful techno tracks: binaryh never lost nick devon, mallone and clawz sg have combined their talents to create a stellar four-track mix of ethereal yet driving techno songs, which, for the first time will be available for purchase on vinyl. stay tuned for more releases from this ongoing project, back to black which will continue to turn out even more poignant techno vibes

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it s always an event when jacob korn fires up his custom-made studio set up to create another exciting house record. in fact, ep3 is a tasteful four-tracker that more than lives up on its two predecessors. -the happening- builds on funky drum patterns before rising into a break that feels like taking a bucket full of water to the chest. another burning dance floor affair is -holiday- with its percussion-driven beats and heavy staccato style synths, in all its caribbean glory. -goodbye- is driven by an irresistible sample and string combination while -thru the eyes- is riding on a cheerful drum foundation and killer sample. dancefloor heaven. as she did for ep1 and ep2 the new record is again illustrated by anna jaszpataki from dresden.

the invariants is back with a fourth release on his self-titled imprint. after recent outings on the dutch labels delsin records and nous klaer, the amsterdam based producer steps back into his own world and delivers four trademark acidic machine work-outs. dreamy atmospheres, slo-mo electro patterns and a powerful haunting ambient piece as a closer.

high focus records regular and member of uk rap super group the four owls, verb t has joined forces with production wizard pitch 92 for the new album ‘good evening’.
pitch, who has spent the past few years as the musical mastermind behind the award winning mouse outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for verb t to unleash his smooth brand of thoughtful lyrics and hooks.
having spent 3 years writing for ‘good evening’ verb t has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of low life records and now sees him as a major part of the ever expanding high focus records movement. the album features guest vocals from uk giants ocean wisdom, jehst, drs, fliptrix, bva, king kashmere of strange u, sparkz, black josh, rye shabby, confucious mc and moreone.
‘good evening’ on limited edition vinyl will be officially released with a digital dropcard containing a digital copy of the album plus bonus instrumentals!

• justin k broadrick returns to downwards
• four trampling, industrial techno excursions
• mastered & cut by matt colton at alchemy
• 500 copies
• riyl ancient methods, regis, muslimgauze, vatican shadow

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

if you are wondering what the artist wanted to tell you by choosing this title, we will give you a small hint: it’s a cynical statement on something that for sure every party promoter has experienced at some point. the rest, we will leave up to your imagination… in real life, there’s no mercy – neither is when it comes to the sound of this new snork release by syntax error. the four new tracks with meaningful names are not only a social criticism and another artistic processing of the current development of the techno scene, but also a classic syntax error: rough, tricky and good to groove. each track stands on its own, telling another story. “collateral cosmopolitan” is a straight forward piece with a highly memorable beat talking about the uniformity that is creeping in the waiting lines of more and more techno clubs. “i wear my grandpa’s glasses” presents a totally dodgy sound, which might be a little oldschool and even a little irritating – just like some fashion items you encounter on today’s big city streets. “no fog is no solution” is a tight song that definitely needs some good fog and a harsh strobe. and finally, the last track sounds like a futuristic fairy tale from outer space looking on the world as if it is a “society bathysphere”.

adryiano with a solid versatile four track ep on baka gaijin.

four slow-burning bombs that perfectly encapsulate how far that slow motion, slo-mo sound can be stretched.

of paradise close out 2017 with an expansive, ever evolving and heartfelt debut from orthographic figure.
having cut his teeth with a cassette release of stripped back house for new york’s pastel voids, back in 2016, the portland based producer steps up and delivers four tracks that shift between chicago and 90s house styles right through to spectral jungle.

not safe for wax slides into its first release with head honcho miagma’s “her palms” ep, which delivers four cuts of emotive, warehouse ready tunes, thawed out and prepped for these winter months!
the title track sets us off, combining rattling hats, blurry pads and one tough cookie of a kick to make a banger beato would be proud of. on remix duties is everyone’s favorite uk based spaniard pépe, bringing us back to those early days of ibiza with his soaring balearic vibes.
the b side flips the script on genres entirely, rumbling through with “untitled #3” a breakbeat-to-broken foot of a floor stomper. finishing out our journey is “anguish lagoon”, a proper tribute to junglists and jungles alike!

four slammers dealt out by two well-known house music label honchos, hiding in plain sight. taken from one day of jams in london town, these tracks are drenched in the sweat of 90s dance mania, bringing more than a little mystik menn magic out of the hat and into the mix. pelvis are a multifaceted leisure system celebrating dance, music, film and spatial design through their parties, clothing, record label and other projects. coital embellishers, tailors of state, gland enhancers, dance party linux, a black economy enterprise, forever slippery and uncatchable.

tessellate is a south london party that has been running for the last four years predominantly at corsica studios in elephant and castle. the label is a natural progression of their events, featuring artists and friends they have booked and met over the years.
the debut release comes from a new alias of a regular guest to their nights. firmin crafts two tracks for the club - la selva for the sunrise and energetic solution for the peak time.
brassica (feel my bicep) and tel aviv’s moscoman both deliver with two different takes of la selva on the b-side.

after the world applauded sascha funke for his latest album lotos land, he gave away some tunes to friends for remix duties. düsseldorf based tolouse low trax formed twirl into a foggy dark mpc-seducer for romantic nighthawks that love dancing. also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of im feiern und feuer is a slow whirlwind, perfect to start and end a great dj night. with tuff city kids a duo formed a remix that is good for big room love affairs. their version of purple hill is a heartfelt melange between trance and house deepness that works on any dance floor. the final edit comes from glasgows junto club, who transformed comola, a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper. four versions, four hits, four atmospheric dimensions beyond words. tune it loud!

dancefloor alert! restoration records celebrates its ten years of activity with 4 fully-fledged club oriented tracks produced by its stalwarts lucretio and marieu, also known as the analogue cops and xenogears. the marshall is a four hands analogue cops night affair about heavy rhythms and blues, glittering cymbals, fiery breaks, and the art of sampling. lucretios deliver is a classy big room jacking tune fuelled with jumbo balearic chords, dense reverbs and a proto-digital acid line. marieus see ya tomorrow is a raw happy house anthem with a touch of jazz and a relentless drive. finally, the duo darkest moniker xenogears wisely crafted a polyrhythmic techno ground-shaking tune injected with analogue sparkles and pervaded by a steel-sky atmosphere.

sciahri and dagdrom are proud to present the fifth installment of their label sublunar records.
the following release is another debut ep, this time by berlin based producer nh.
the ep consists of a selection of four heterogeneous tracks in terms of intensity and mood, and each one being singular for different reasons, but yet coherent by the round-around-the-edges production style they have been executed in their creator’s personal imagery and unorthodox approach to the techno genre.
the warmth and empathy who seem to be the driving force behind noro vanish and leave place to insanity and darkness present and growing throughout lothar. on the flip side, the eponymous track shows a rave-like up-tempo beat being outweighed by the sadness of its melodic elements, until finally in crimson, a quiet and unstoppable force pushing us out of the abyss until we reach the initial point again.

the ep opens with i need , a pulsating ear worm of a track that wastes no time in luring you into its embrace. perhaps leaving the best till last and bringing it back to the four-to-the-floor touch, theo s party is on the money, boasting that favoured 90 s house flare with a sprinkling of modern flavour designed to have fists punching the air at any time of day or night.

mysterious vinyl only label befog cooperates with all inn black. the result is four minimalist house-like dreamy trips. four colours served from the same palette. teasing tasty bits from the shadows.

next stop soweto vol. 1 - township sounds from the golden age of mbaqanga is the first volume of struts groundbreaking series of south african music, exploring lesser known township jive and mbaqanga 45s. artists include mahotella queens, izintombi zesi manje manje and lucky strike sisters.

special 4x12 inch pack containing four classic releases:
- solar-021: anton fielding & tiny stikz - afro punk’d (solar recordings)
- dcr-005: de hugo - music is u (danse club)
- act002: prompt - kieto (achtung)
- facto020: ismael rivas - relouder (factomania)

the copenhagen based pop wonders blaue blume return with a new ep - sobs. the band formed around 6 years ago in a provincial danish town, drawn to each others love for rich, playful music. blaue blume (blue flower) is the epitome of a romantic band, their songs are brimming with love and yearning. now ‘sobs, the follow up to their ‘syzygy album in 2015, continues to build their reputation as a best kept secret, about to find a whole new audience of devotees. all four tracks for the ep were recorded in late 2016 in a three story villa, formerly owned by a religious cult. the band used the weird space away from the city to create a framework for the lyrics and the music. the band explains: blaue blume has been our band for about 6 years. in a bigger provincial town we started playing right out of highschool. at the moment we live in copenhagen and every day we play, write and work on sounds. its sort of become a life project. in our heads we make music that is playful, rich in detail and popish or somewhat smiling. for some beautifully inexplicable reason we ended up doing music together. in a way it seems sacred or at least meaningful. macabre is a happy song about being afraid of dying. some of us find that even the best life can be lonely sometimes. we found it interesting to address this taboo within the frame of a song that people could potentially dance or sing along to.

new york’s dj spider returns to rekids with four murky vinyl-only cuts this november. a highly respected label owner, dj spider is well known for helming esteemed imprints like plan b, sub level sounds and btu music. as a producer he has made appearances on the likes of the trilogy tapes, bleed, killekill and vanguard sound!, whilst last year saw him make his debut on rekids. returning to the imprint, the american artist follows dj deep, jon hester and fbk for the fourth outing in the rekids special projects vinyl series. opening with ‘mobius strip revisited’, a squelching bass line and rolling percussive loops underpin ethereal pads and airy atmospheres before an extended keyboard solo plays over inspired chord progressions and a grooved low-end to give ‘antikythera mechanism part 2’ an improvised feel. on the flip we have ‘sub-atomic vibrations’, providing a series of irresistible lead synth melodies and crunchy drum compositions followed by ‘struggles with phantoms’, an unrelenting rhythm section lays the foundation for an evolving mid-range giving the release a stylish close

the always-deep closed paradise serves up the first release for better listen black label, which will look to show off the moodier, house side of the dc imprint. the secrets ep is four tracks of deep tackle, pulling from lush r&b soundscapes and vibes from far away places alike.

we ve had our eyes and ears on tee mango for a while now. his debut album imperfections is a future classic in our book and the tribute series has been part of our dj-sets for a while now. in short we had to get him to do an ep for local talk. dadhaus ep is forward-thinking music with an edge (undoubtedly sharpened through countless studio hours). tee channels the deep house flavours of detroit and chicago across four tracks of exquisitely executed percussion and sample-not-sample work. its another winner from the man like tee mango.

scissor & thread ramp up the heat with the debut release by virginias deep house don, dj aakmael. known for his infectious grooves and deep and intricate instrumentation for more than two decades, this four track ep is in no short supply of teased out, peak time, classic deep house. the titular track wastes no time on the a-side with its hard hitting kick and springy bass holding court, while a hypnotic serpentine synth snakes along. the a2, what iz deep house, is a lesson for those who dont know what true deep house is. woozy, edgy chords take the spotlight as a dissociated voice slurs, what is deep house? a relentlessly thick kick, along with sharp as razors hi-hats and snaps, throttle the track into peak time territory. on the flip, sands is an aquatic affair, with its reverb laden pads and piano chord stabs submerging the floor in pelagic atmosphere. the persistent, euphoric bassline bump effortlessly slides its hooks into the listeners ears before a celestial piano melody pierces through the depths. frank & tony take things even deeper with their late night breakaway dub, applying their signature bass line touch and hi-hat shuffle in what may be their best remix to date.

smooth deep space techno four track ep with detroit inspired sounds. the ep kicks off with -last nite- - a beautiful and melodic techno track, revolving around a hypnotizing lead. -new beginnings- meanwhile is a deep and mysterious affair, magically combining soulful techno with more experimental leftfield sounds. the b-side starts with -track 13-, a finely crafted groover that grows into a melodic gem with an old-school detroit flavour to it. the ep ends with the deep yet euphoric -so far-, perfect for those early morning dj-sets. offering a perfect combination of deepness and driving energy, the ep is a versatile release guaranteed to get the dance floor moving. an impressive vinyl debut by lioness and a must have for all heads interested in deep, soulful and intelligent techno.

swedish artist ubx127 is back on figure with what might just be his most accomplished release to date. spanning an arc cross four diverse tracks, the story told is abstract yet full of imagination. gently pulsating crystalline opener woid carefully sets a vast open scene, covered in gushes of interplanetary winds. first contact is made on a2, its electro-esque drive and spiky synths hinting at its alien origins. a taste of their mighty technology is given on watch out below, booming with a propulsive punch and constantly swelling in intensity. relief comes in form of singularity, a beautiful, long-winding closer, on which soothing arps effortlessly outweigh their beaty counterparts. having already proven his mastery of the machines with three stellar eps for the label last year, this record further showcases ubx127s special talent of crafting tunes that are as ripe with drama as they are ready for the floor.

reeko comes home again with his brand new ep, one step more in his tremendous discography and again a statement of modernism, soul and anger, all in one. four different flavoured cuts of meticulously crafted club tracks, dense, obscure, liquid, sometimes harsh and incredibly sounding.